I create mixed media artwork for brands, artists and publications such as: The New York Times, The Atlantic, VICE, i-D, ELLE, MaxMara, WeTransfer, Lazy Oaf, Boots and Kathmandu. I also freelance as an art director for WePresent, WeTransfer's editorial platform, dedicated to championing undiscovered artists. I frequently collaborate with artists in my spare time, too, and have been curating and self-publishing a popular print calendar for the past five years, selling several hundred copies per year.
In 2020, I co-founded Nearness, a magazine documenting the changes brought on by the pandemic. The site encouraged self-reflection, open conversations about mental health and a rare and real opportunity to slow down and process what was happening to us. It existed primarily as a digital space but encouraged readers to get offline and create tangible, “imperfect” art. I commissioned, edited and art-directed all of the work published daily on the site, including essays, comics, collage kit, photo series and playlists.
I also work in film and advertising as a director's assistant, art department coordinator and image researcher, most recently on productions directed by Wes Anderson, Danny Boyle, Sally el Hosaini and Autumn de Wilde. I started working in the industry as a director's assistant on "Viva la Vulva", Kim Gehrig's award-winning ad for Bodyform.
In 2023, I won the Aurora Prize for my short story, "Woman With An Egg Mayo Sandwich." You can read it here.
