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Director's Assistant
My first experience in the role was as the assistant to Kim Gehrig on her groundbreaking video ad for Bodyform, Viva La Vulva. I then went on to work as a director's assistant in film, first on Autumn de Wilde's Emma and later on Sally El Hosaini's The Swimmers. I now work as a director's assistant across film, television and advertising.
Art Department Coordinator
I worked as the art department coordinator for production designer Adam Stockhausen on Wes Anderson's collection of four short films, including the Oscar-winning Wonderful Life Of Henry Sugar. Before that I was the art department and picture vehicles coordinator for production designer Kave Quinn on Danny Boyle's miniseries Pistol.
Visual Researcher
I freelance as a researcher in advertising, gathering visual references for directors to use in their treatments. I also worked as a visual researcher in film, working closely with art, graphics, script and clearance departments. I was a visual researcher on Andrea Arnold's most recent feature, Bird, as well Lena Dunham's latest film, Catherine Called Birdy.
Visual Researcher
I freelance as a researcher in advertising, gathering visual references for directors to use in their treatments. I also worked as a visual researcher in film, working closely with art, graphics, script and clearance departments. I was a visual researcher on Andrea Arnold's most recent feature, Bird, as well Lena Dunham's latest film, Catherine Called Birdy.
Visual Researcher
I freelance as a researcher in advertising, gathering visual references for directors to use in their treatments. I also worked as a visual researcher in film, working closely with art, graphics, script and clearance departments. I was a visual researcher on Andrea Arnold's most recent feature, Bird, as well Lena Dunham's latest film, Catherine Called Birdy.
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